Oct 082019
 

Scott Eaton giving creative AI lecture MaltaStill from ‘Entangled II’

I was privileged to be invited to speak again at the THU conference in Malta, this time on the main stage talking about my explorations using machine learning (AI) as a ‘creative collaborator’ in my artistic process. The talk, weighing in at a hefty 75 minutes, explored the genesis of this body of work, my early steps (and missteps) in this emerging medium, and how I’ve started integrating it into my artistic practice.

Scott Eaton Figures & Form AI lectureHyperbolic Composition I with drawing underlaid (left)

The talk included a behind-the-scenes look at the inspiration, production and labour that went into the pieces for the Artist+AI: Figures and Form exhibition. I was also excited to show, for the first time, a number of my fun, early experiments that compelled me to dig deeper into the potential of these new tools.

Scott with mind map planning the Figures & Form exhibitionImportant musings from a sketchbook
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Sep 032019
 

probably best to go fullscreen

For anyone who wasn’t able to attend my “Artist+AI: Figure and Form” exhibition at Somerset House in London (uhh, most of the world), please feel free to browse the show archive above. Much (but not all) of the work is documented in various places on this site, but it is nice to see it here, shown at scale and in context. Also the exhibition text is informative and worth reading to understand a bit more about the processes used to create this body of work.

Special thanks to Lenovo, Nvidia, Panavision, Direct Digital, and Raw Umber Studios for their support. Credit to AVM and Rupert Harris for their 3d archiving services.

Jul 232019
 

Scott Eaton's anatomy and digital sculpture coursesclick for larger

AUTUMN SESSIONS

Enrollment is now open for the Autumn sessions of my anatomy and digital figure sculpting courses starting in October 2019. These in-depth courses are designed to teach the skills every figurative artist needs to produce inspiring, professional level work. The courses have been taught to artists and studios around the world, including Pixar, Industrial Light & Magic, Disney, Sony, Warner Bros, Ubisoft, Blizzard, EA and many others. If you are looking for an intensive course to level up your figurative art skills, consider one of these:
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Mar 142019
 

Scott Eaton preview of creative AI artworkclick for larger

On Thursday, March 28, I will be giving a talk at London’s CreativeAI meetup at Somerset House previewing the last two years of my experiments using AI and machine learning to create figurative artwork. People close to me know I have been working on this, unannounced, for quite a while and I am excited to show the work for the first time in public. The second speaker, Andrew Brock, will also be showing some mind-blowing work done while interning at Google’s DeepMind last year. The evening promises to be a visual feast!

The talks are open to the public, but spaces go quickly, so register now. Also for your calendar, my work will be shown in its entirely at an exhibition at Somerset House from 20-23 June. More information will be coming in the next couple weeks.

CreativeAI @ Somerset House: REGISTER HERE

May 122017
 

Compositing scan renders for Bodies in Motionclick for larger

Been very busy recently getting Bodies in Motion > Scans ready to launch. I am personally cleaning up ALL the scans to preserve the form and anatomy. Also lighting and rendering them to make beautiful, informative drawing/sculpting/anatomy reference for all of you. Compositing today. Sharing this screenshot so you know I haven’t been idle the last couple months.

Scans will be coming very soon to www.BodiesinMotion.photo (weeks!). Launch date will be announced next week.

Nov 072016
 

Digital Portrait Sculpting - Scott Eaton at Ubisoft Quebecdemo sculpt from the Ubisoft workshop

I am recently back from a week-long workshop at Ubisoft’s Quebec studio focused on portraiture and facial anatomy. The week broke down into three days of facial anatomy lecture for twenty of their artists (animators, riggers, concept artist, character artists) and then finished with an intensive two-day portrait sculpting session in ZBrush with just the character artists.

Scott teaching facial anatomy and portrait sculpting at Ubisoftartists sculpting away, and me, the shadowy figure in the corner
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Nov 062016
 
Venus of Cupertino at the London Design Festival

The Venus of Cupertino, my iPad docking station, is just back from a busy week at the London Design Festival. She received countless oogles, smiles, and appreciation over the four days. She was even chosen as the top design at the festival by a prominent online design & lifestyle magazine.

Now that the Venus of Cupertino is almost all grown up, most future posts and updates on the Venus project will be found at: EATON.london There you can follow all the gossip, blogs, & tweets. And of course you can order her there as well!

click for larger

Sep 182015
 

Ange Cire Perdue, LaLique for Elton JohnAnge Cire Perdue, clear and red crystal, 73 cm, image © Lalique

I was recently commissioned by the legendary French glass makers, Lalique, to design and sculpt an enormous (in relative terms) crystal angel, an allegory of Music, for Elton John. The piece, know as Cire Perdue (after the lost wax process Lalique used to cast the piece), is a single, unique artwork that will be auctioned off in Los Angeles in February, with all proceeds going to the Elton John Aids Foundation. After a long design process and an even longer time in production, the piece is finally finished and was shown for the first time at Elton’s Windsor estate, to an effusive reaction:

“I don’t think that I have ever seen a more beautiful piece of glass than the big Angel. It is breathtaking!

-Elton John

Elton signing the Lost Wax AngelElton signing the big Angel

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Sep 032015
 

Thames Horses underwaterclick for larger

I am excited to show the first images from a recent collaboration with fellow artist Jason deCaires Taylor. I designed and sculpted the four Shire horses with oil-pump heads for Jason’s installation The Rising Tide currently installed on the Southbank of the Thames, right outside the MI6 building (for all you James Bond and secretive intelligence agency fans out there).

The piece is a powerful commentary on man’s relationship with the environment. Throughout the day the sculptures are submerged and revealed as the tide cycle waxes and wanes. As a long-time scuba diver I am delighted by Jason’s epic underwater works, so it was a pleasure collaborating with him on this piece.

Thames Horses, Scott Eaton for Jason deCaires Taylor's  The Rising Tideclick for larger

My work on the piece involved the design and digital sculpting of the 18-hand tall Shire horses. Interestingly, over the past few years I have sculpted quite a few horses. First my centaur, then work on Mark Wallinger’s White Horse (also installed in London), followed by the horses for Steven Spielberg’s War Horse, and now these petrochemical Shires.

ThamesHorses_nearlySubmergedNearly high tide. image © Jason deCaires Taylor

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