I am just back from the Sochi Olympics where I was working with the amazing teams from Asif Kahn and iArt on the “Megafaces Facade” for the Megafon pavilion. Over the past six months I have been providing creative direction for this crazy project:
I was asked to come on-board to provide expertise in computer graphics, lighting, faces, and overall aesthetics to the piece. The challenge from a visual design perspective was to take raw, 3d scan data from the ‘photobooths’ in the pavilion and then develop an automated solution, which we called the Creative Processing Pipeline (CPP), for coloring, relighting, composing and outputting the faces to the facade in way that, well, looks cool. It is a bit like composing a drawing or photograph, but algorithmically so that it always (ermm, almost always) produces a compelling visual result.
The Eaton-Houdon Écorché is my update of the classical anatomy figure by 18th Century sculptor Jean-Antoine Houdon. His original l’Écorché sculpture, produced in 1767 during his time in Rome, has been used by artists studying anatomy for centuries. It is celebrated for its balance, gesture and proportions but, to the trained eye, has always contained a handful of anatomical inaccuracies. Combine this with an overall loss of detail resulting from centuries of re-casting and the piece was in need of both an accuracy update and a sharpening of details. The result is shown above.
I recently had the opportunity to collaborate with legendary artist Jeff Koons on one of his projects – a larger than life-sized sculpture of Lady Gaga. After some absurd deadlines and a lot of sculpting, the piece was unveiled in New York at #artRave a huge launch party for Lady Gaga’s ARTPOP album.
It is amazing to finally see the piece finished and in public. From what I have seen it looks pretty impressive (if for no other reason than the monumental scale). I am still not sure what it means but I guess that is for Jeff to answer.
profile view (with Koons’ promotion)
My Mini Venus of Cupertino ipad docking station is finally available. Find more at: EATON.london
My Hercules XIII tablet stand is the inaugural cover star over at DesignFizz – a new online magazine covering international design.
He looks great on the cover and this is one of my favorite photos of him – you can find the original, un-cropped photo here.
And if you would like to own a Hercules, you can find him at: EATON.london
The White Horse is finally installed in London. This is the project of artist Mark Wallinger and was originally planned as a towering 50m tall horse (as tall as the Statue of Liberty) to be erected in the countryside of Kent and visible from the Eurostar. But around the big crash, arts budgets downsized and so did the scale of the horse. Now it is only a very average ‘life-sized’, but it is still striking in its crisp white finish and realism. About a year ago I worked with the team from Sample & Hold to refine the digital version of the horse, based on a scan of Mark’s actual horse. I spent time adding anatomical accuracy and life to the head, face, legs, and hooves (at the time my horse skills were primed, having just finished Spielberg’s War Horse).
After a bit of massaging the data was sent off for fabrication. Through a combination of 3d printing, CNC machining, and casting, the piece was brought to life – albeit at a scale smaller than originally intended. But if you are in London and want to check it out, it will be on display on the Mall (just off Trafalgar Square) for two years.
Our Hercules XIII tablet stand was named one of the top 10 pieces at London Design Festival 2013 by the Times. This is quite an honour considering that there are thousands of designers exhibiting at the festival in locations all over London. It seems Hercules’ baroque design sense is an appreciated counterbalance to the simple minimalism emerging in things like Apple’s iOS7.
Find more on Hercules at EATON.london
We just finished an exciting weekend at London Design Festival where I debuted my newest design – Hercules XIII, a universal tablet stand for work and play. Hercules, along with the lovely Venus of Cupertino, garnered many smiles and giggles of admiration over the four days. It was great fun seeing the public’s reaction, thanks to everyone who stopped by! more at Eaton.london
I recently contributed to this ambitious visual effects project. If you haven’t yet seen the Galaxy chocolate ad with the reincarnated Audrey Hepburn it is worth checking out here. The piece is bound to stir up controversy – bringing a beloved actress back from the dead to flog chocolate bars may not be everyone’s idea of good taste. However, the technical achievement is clearly impressive and full credit should be given to the visual effects team at Framestore for pulling it off with very tight deadlines!