Sep 182015

Ange Cire Perdue, LaLique for Elton JohnAnge Cire Perdue, clear and red crystal, 73 cm, image © Lalique

I was recently commissioned by the legendary French glass makers, Lalique, to design and sculpt an enormous (in relative terms) crystal angel, an allegory of Music, for Elton John. The piece, know as Cire Perdue (after the lost wax process Lalique used to cast the piece), is a single, unique artwork that will be auctioned off in Los Angeles in February, with all proceeds going to the Elton John Aids Foundation. After a long design process and an even longer time in production, the piece is finally finished and was shown for the first time at Elton’s Windsor estate, to an effusive reaction:

“I don’t think that I have ever seen a more beautiful piece of glass than the big Angel. It is breathtaking!

-Elton John

Elton signing the Lost Wax AngelElton signing the big Angel

Continue reading »

Sep 142015

Sculpting the Dynamic Figure in ZBrush, view 2. Reference from Scott Eaton's Bodies in Motion library - www.bodiesinmotion.photoclick for larger

Sculpting the Dynamic Figure in ZBrush. Reference from www.bodiesinmotion.photoclick for larger

Here are a couple images of my first sculpture study from the Bodies in Motion library. The BiM “Coming Soon” page is now up here:

I’ve heard there is one month’s FREE ACCESS for the first 100 artists to register their interest at the link above, so get on it! I am excited to see what people make with the material when the site goes live!

Sep 032015

Thames Horses for larger

I am excited to show the first images from a recent collaboration with fellow artist Jason deCaires Taylor. I designed and sculpted the four Shire horses with oil-pump heads for Jason’s installation The Rising Tide currently installed on the Southbank of the Thames, right outside the MI6 building (for all you James Bond and secretive intelligence agency fans out there).

The piece is a powerful commentary on man’s relationship with the environment. Throughout the day the sculptures are submerged and revealed as the tide cycle waxes and wanes. As a long-time scuba diver I am delighted by Jason’s epic underwater works, so it was a pleasure collaborating with him on this piece.

Thames Horses, Scott Eaton for Jason deCaires Taylor's  The Rising Tideclick for larger

My work on the piece involved the design and digital sculpting of the 18-hand tall Shire horses. Interestingly, over the past few years I have sculpted quite a few horses. First my centaur, then work on Mark Wallinger’s White Horse (also installed in London), followed by the horses for Steven Spielberg’s War Horse, and now these petrochemical Shires.

ThamesHorses_nearlySubmerged_tnNearly high tide. image © Jason deCaires Taylor

Continue reading »

Aug 082015

Industrial Light and Magic, London ILM is in London!

I’ve just finished six days of anatomy masterclasses for Industrial Light and Magic, London (yes, the Star Wars guys). This isn’t the first time I’ve been to ILM, in the past I’ve run workshops for both their San Francisco and Singapore offices, but this is the first time it was just a tube journey away (not a nine-hour flight). It is great having Industrial Light & Magic in London!

Continue reading »

Jun 202015

war_horse_banner_tnour digital horse in action

I recently kicked off a series of pastblast posts digging up old but interesting projects that I didn’t have time to write about when they were happening. One of the most interesting and enjoyable visual effects projects that I have worked on is Steven Spielberg’s film adaptation of War Horse.

The story follows Joey, a farm horse in rural England, onto the battlefields of World War I. Being a war story, you can imagine there are a few upsets along the way, and Joey inevitably finds himself in very dangerous circumstances – circumstances too dangerous in fact for real ‘horse actors’. Cue our digital Joey.


Our digital horse stretching his legs

Continue reading »

May 262015

3dArtist magazine tutorial covering the important anatomical structures of the faceclick for larger

3dArtist_cover_tnI recently completed a tutorial for 3dArtist magazine about the making of this facial anatomy ecorche. In the article I go through the steps used to create the digital sculpture in ZBrush and about the importance of understanding facial anatomy and why it helps improve portraiture. The tutorial is in issue 81 of the magazine.

Sep 232014 exhibiting at LDF2014 click for larger

We are just back from a busy weekend at London Design Festival 2014. We showed our newest design, the Moai ipad docking station, for the first time and the response was amazing. You will see a ‘special edition’ Moai coming soon to Thanks to everyone who stopped by to say hi and see you again next year!

Sep 162014

Moai Ipad docking station based on the Easter Island figures
click for larger

We are proud to introduce our latest design – the Moai iPad docking station. Inspired by the serene, eternal vigilance of the monolithic icons of Easter Island, we’ve upgraded and remixed them for a tongue-in-cheek poke at the persistent distraction of modern digital life. The Moai will be available in Q4 2015. Please check back for updates!

Moai ipad Docking Station profile view. Remixed from the ancient Easter Island for larger

Sep 142014

Amy Winehouse Memorial Statue, Camden London. for larger

My life-sized bronze sculpture of Amy Winehouse has just been unveiled on what would have been her 31st birthday. The memorial is located in the Stables Market in Camden, London – Amy’s home for many years.

The piece was commissioned by Mitch Winehouse and I hope is a fitting tribute from a father to his daughter. I have immense respect for Amy as an artist and wish she was still making music.

Portrait of Amy Winehouse - Scott Eaton's Memorial Sculptureclick for larger

Jun 232014


Our Megafaces Pavilion for the Sochi Olympics won the 2014 Cannes Lion Grand Prix for Innovation. Created by architecture studio Asif Kahn Ltd, engineered by iArt and with art direction and graphics tech by yours truly, the project was a monumental collaboration that tied together amazing creativity and a mountain of technology to create a compelling visual experience for visitors to the Olympic park.

Find the official Cannes submission video HERE.

WithTheGrandPrix_tnCelebrating the Grand Prix in the green room