Jul 212015
 

Scott Eaton's Bodies in Motion Project - female aerial performerclick for larger

No sooner is the Bodies in Motion III shoot finished, than Bodies in Motion IV marches into the calendar. In fact, we just finished a big weekend shoot with eleven talented artists, each with unique skills, power and grace on aerial apparatus. I have just started looking through the 15,000 images and there are going to be some gems.

All of the photography you see coming through the site lately is in preparation for the official launch of the Bodies in Motion Project website coming in September. The site will collect all the photos and motion sequences that I have shot over the last five years and make them available as a resource for artists, designers, and agencies looking for photography that showcases the amazing capabilities and forms of the human figure. Be sure to sign up to the newsletter for announcements!

Scott Eaton's Bodies in Motion project - B&W Male Aerial hoop, anatomy click for larger

May 262015
 

scott eaton's bodies in motion project,  male handbalancingclick for larger

Bodies in Motion is back! I’ve just finished an amazing shoot and I’m starting to pull the best images from the session. There was an amazing collection of talent on this shoot and I am looking forward to sharing all the images. Speaking of sharing, the Bodies in Motion Project will be getting its own dedicated website very soon. If you haven’t already, subscribe to the mailing list for updates. I will be needing beta testers in the next month!

break dancing, bodies in motion project.click for larger

Nov 282014
 

Four Seasons Hotels design collaboration
I am excited to announce an upcoming collaboration with the Four Seasons Hotels and Resorts. Things are still top secret but I have started developing concepts for the first in a series of art/design pieces for their hotels. Watch this space for updates…

Sep 232014
 

EATON.london exhibiting at LDF2014 click for larger

We are just back from a busy weekend at London Design Festival 2014. We showed our newest design, the Moai ipad docking station, for the first time and the response was amazing. You will see a ‘special edition’ Moai coming soon to EATON.london. Thanks to everyone who stopped by to say hi and see you again next year!

Sep 162014
 

Moai Ipad docking station based on the Easter Island figures
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We are proud to introduce our latest design – the Moai iPad docking station. Inspired by the serene, eternal vigilance of the monolithic icons of Easter Island, we’ve upgraded and remixed them for a tongue-in-cheek poke at the persistent distraction of modern digital life. The Moai is just into production and will be available in early 2015. Check back for updates!

Moai ipad Docking Station profile view. Remixed from the ancient Easter Island statues.click for larger

Jun 222014
 

Megafaces Sochiclick for larger

I am just back from the Sochi Olympics where I was working with the amazing teams from Asif Kahn and iArt on the “Megafaces Facade” for the Megafon pavilion. Over the past six months I have been providing creative direction for this crazy project.

I was asked to come on-board to provide expertise in computer graphics, lighting, faces, and overall aesthetics to the piece. The challenge from a visual design perspective was to take raw, 3d scan data from the ‘photobooths’ in the pavilion and then develop an automated solution, which we called the Creative Processing Pipeline (CPP), for coloring, relighting, composing and outputting the faces to the facade in way that, well, looks cool. It is a bit like composing a drawing or photograph, but algorithmically so that it always (ermm, almost always) produces a compelling visual result.

asif-khan-designs-an-architectural-mount-rushmore-for-sochi-winter-olympics_asif_khan_megaphon_sochi_-hufton_crow_024_tnChecking the output before the opening ceremony

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Jun 192014
 

Eaton-Houdon Ecorche figure for anatomy study
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The Eaton-Houdon Écorché is my update of the classical anatomy figure by 18th Century sculptor Jean-Antoine Houdon. His original l’Écorché sculpture, produced in 1767 during his time in Rome, has been used by artists studying anatomy for centuries. It is celebrated for its balance, gesture and proportions but, to the trained eye, has always contained a handful of anatomical inaccuracies. Combine this with an overall loss of detail resulting from centuries of re-casting and the piece was in need of both an accuracy update and a sharpening of details. The result is shown above.
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Jun 112014
 

Scott Eaton collaboration with Jeff Koonsclick for larger

I recently had the opportunity to collaborate with legendary artist Jeff Koons on one of his projects – a larger than life-sized sculpture of Lady Gaga. After some absurd deadlines and a lot of sculpting, the piece was unveiled in New York at #artRave a huge launch party for Lady Gaga’s ARTPOP album.

LadyGaga_sculpture1tn

It is amazing to finally see the piece finished and in public. From what I have seen it looks pretty impressive (if for no other reason than the monumental scale). I am still not sure what it means but I guess that is for Jeff to answer.

LadyGaga_2tn
profile view (with Koons’ promotion)
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Apr 222014
 

Hercules Docking Station and Stand

My Hercules XIII tablet stand is the inaugural cover star over at DesignFizz – a new online magazine covering international design.

He looks great on the cover and this is one of my favorite photos of him – you can find the original, un-cropped photo here.

And if you would like to own a Hercules, you can find him at: EATON.london

Feb 102014
 


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The White Horse is finally installed in London. This is the project of artist Mark Wallinger and was originally planned as a towering 50m tall horse (as tall as the Statue of Liberty) to be erected in the countryside of Kent and visible from the Eurostar. But around the big crash, arts budgets downsized and so did the scale of the horse. Now it is only a very average ‘life-sized’, but it is still striking in its crisp white finish and realism. About a year ago I worked with the team from Sample & Hold to refine the digital version of the horse, based on a scan of Mark’s actual horse. I spent time adding anatomical accuracy and life to the head, face, legs, and hooves (at the time my horse skills were primed, having just finished Spielberg’s War Horse).


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After a bit of massaging the data was sent off for fabrication. Through a combination of 3d printing, CNC machining, and casting, the piece was brought to life – albeit at a scale smaller than originally intended. But if you are in London and want to check it out, it will be on display on the Mall (just off Trafalgar Square) for two years.


fabrication, in progress