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A new sculpture which debuted at my Artist+AI: Figures and Form exhibition. This bronze (as with all works in the show), was created in collaboration with AI tools that I’ve trained as my ‘art assistants,’ in this instance one that translates my drawings into three-dimensional form.
I created this piece by drawing a ‘blueprint’, effectively the instruction set, which directs the AI to build volume, planes and edges in a certain way (based on the way that I originally trained the network, which is a sort of alchemy itself). Below you can see a side-by-side comparison of the ‘blueprint’ and the final sculpture. A video showing the process of creating the final bronze casting can be found HERE.
The Eaton-Houdon Ecorche is a contemporary anatomy figure based on the classic L’Écorché, the 18th century anatomy study by French neoclassical sculptor Jean-Antoine Houdon. The original écorché figure was used for centuries in art academies and ateliers around the world to teach students anatomy and cast drawing.
This version, produced in collaboration with Michael Defeo, corrects a handful of lingering anatomical mistakes while retaining the gesture, pose, and naturalism that made the original a favorite of mine and of other artists through the centuries. Here it is produced at eighteen inches, an ideal size for desktop reference and study. Each figure is hand cast in museum-quality resin with removable magnetic arms.
Available at: EATON.london
I was recently commissioned by the legendary French glass makers, Lalique, to design and sculpt an enormous (in relative terms) crystal angel, an allegory of Music, for Elton John. The piece, know as Cire Perdue (after the lost wax process Lalique used to cast the piece), is a single, unique artwork that will be auctioned off in Los Angeles in February, with all proceeds going to the Elton John Aids Foundation. After a long design process and an even longer time in production, the piece is finally finished and was shown for the first time at Elton’s Windsor estate, to an effusive reaction:
“I don’t think that I have ever seen a more beautiful piece of glass than the big Angel. It is breathtaking!
Elton signing the big Angel
Here are a couple images of my first sculpture study from the Bodies in Motion library. The BiM “Coming Soon” page is now up here: www.bodiesinmotion.photo
I’ve heard there is one month’s FREE ACCESS for the first 100 artists to register their interest at the link above, so get on it! I am excited to see what people make with the material when the site goes live!
I am excited to show the first images from a recent collaboration with fellow artist Jason deCaires Taylor. I designed and sculpted the four Shire horses with oil-pump heads for Jason’s installation The Rising Tide currently installed on the Southbank of the Thames, right outside the MI6 building (for all you James Bond and secretive intelligence agency fans out there).
The piece is a powerful commentary on man’s relationship with the environment. Throughout the day the sculptures are submerged and revealed as the tide cycle waxes and wanes. As a long-time scuba diver I am delighted by Jason’s epic underwater works, so it was a pleasure collaborating with him on this piece.
My work on the piece involved the design and digital sculpting of the 18-hand tall Shire horses. Interestingly, over the past few years I have sculpted quite a few horses. First my centaur, then work on Mark Wallinger’s White Horse (also installed in London), followed by the horses for Steven Spielberg’s War Horse, and now these petrochemical Shires.
My life-sized bronze sculpture of Amy Winehouse has just been unveiled on what would have been her 31st birthday. The memorial is located in the Stables Market in Camden, London – Amy’s home for many years.
The piece was commissioned by Mitch Winehouse and I hope is a fitting tribute from a father to his daughter. I have immense respect for Amy as an artist and wish she was still making music.
The Eaton-Houdon Écorché is my update of the classical anatomy figure by 18th Century sculptor Jean-Antoine Houdon. His original l’Écorché sculpture, produced in 1767 during his time in Rome, has been used by artists studying anatomy for centuries. It is celebrated for its balance, gesture and proportions but, to the trained eye, has always contained a handful of anatomical inaccuracies. Combine this with an overall loss of detail resulting from centuries of re-casting and the piece was in need of both an accuracy update and a sharpening of details. The result is shown above.
I recently had the opportunity to collaborate with legendary artist Jeff Koons on one of his projects – a larger than life-sized sculpture of Lady Gaga. After some absurd deadlines and a lot of sculpting, the piece was unveiled in New York at #artRave a huge launch party for Lady Gaga’s ARTPOP album.
It is amazing to finally see the piece finished and in public. From what I have seen it looks pretty impressive (if for no other reason than the monumental scale). I am still not sure what it means but I guess that is for Jeff to answer.
profile view (with Koons’ promotion)
My Hercules XIII tablet stand is the inaugural cover star over at DesignFizz – a new online magazine covering international design.
He looks great on the cover and this is one of my favorite photos of him – you can find the original, un-cropped photo here.
And if you would like to own a Hercules, you can find him at: EATON.london