scotteaton

Artist+AI: Figures & Form exhibition

 machine learning / AI, news
Jun 112019
 

Invitation to Scott Eaton's Artist plus AI: Figures and Form exhibitionclick for larger

EXHIBITION OF WORK
19-23 June, 2019
10-5:30pm daily
Somerset House, New Wing, room G16

My new exhibition showcasing work created in ‘collaboration’ with AI is running from the 19-23rd of June at Somerset House in London. It is a free, but ticketed event, so you will need to book in advance. Please get your tickets HERE.

“This exhibition showcases the recent work of artist Scott Eaton combining the latest in generative artificial intelligence (AI) with the centuries old practices of drawing and sculpture. The show’s featured works are the result of the dynamic interaction between Scott’s traditionally-trained hand and the AI tools he has ‘taught’ to work as his assistants. In this show, Eaton, an interdisciplinary artist with backgrounds in sculpture, anatomy and design, underscores the impact AI is set to have on the art-making process.”

Behind the Scenes 1 – Humanity (Fall of the Damned)

 drawings, machine learning / AI
Jun 102019
 

Scott Eaton's Fall of the Damned, work in progress.

Behind the scenes – prepping a piece for my “Artist+AI: Figures & Form” show opening next week at Somerset House. Suffice it to say, this will be a LARGE composition (22,000 x 17,000 pixels!). My drawing hand aches.

Show is free and runs from 19-23rd of June, so squeeze in a visit to Somerset House if you are near London.

Artist+AI Experiments: Body Hands I

 experiments, machine learning / AI
Apr 162019
 

Daily experiment – what happens when you mix bodies with hands (not mine) and add the magic of neural networks? We didn’t know, until now.

Joking aside – the magic of this emerging artistic medium (using AI, machine learning, deep neural networks, whatever you want to call it) is the ability it gives us to remix domains, effectively combining visual ingredients into a cauldron, the way a chef experiments in the kitchen, to see what happens. The results are sometimes good, sometimes awful, but there is adventure to be had. It is a new type of visual exploration, and gives us new components for our creative processes.

Experiments coming frequently until the June 18th exhibition.

Creative AI – extended presentation online

 machine learning / AI
Apr 122019
 

Artist+AI: Scott Eaton Lens Series 1Drawing plus AI – created using a bespoke neural network trained on my figure photography

I’ve just recorded and uploaded an extended version of my recent Creative AI talk. This talk summarises the last two years of my exploration into combining AI with my interests in photography, drawing and sculpture. The talk gives a good synopsis of the amazing creative potential of these tools. This is the first time I’ve shared the work in public, as I now feel it is mature enough that I am comfortable showing the results of my explorations. There are many more experiments and works-in-progress to be shared in the coming weeks and months, and of course mark 18-23 June in your calendar for a visit to my exhibition of this work at Somerset House, London (admission is free).

Please find the lecture here:

CreativeAI talk – Thursday, March 28, Somerset House

 creativity, machine learning, machine learning / AI, news
Mar 142019
 

Scott Eaton preview of creative AI artworkclick for larger

On Thursday, March 28, I will be giving a talk at London’s CreativeAI meetup at Somerset House previewing the last two years of my experiments using AI and machine learning to create figurative artwork. People close to me know I have been working on this, unannounced, for quite a while and I am excited to show the work for the first time in public. The second speaker, Andrew Brock, will also be showing some mind-blowing work done while interning at Google’s DeepMind last year. The evening promises to be a visual feast!

The talks are open to the public, but spaces go quickly, so register now. Also for your calendar, my work will be shown in its entirely at an exhibition at Somerset House from 20-23 June. More information will be coming in the next couple weeks.

CreativeAI @ Somerset House: REGISTER HERE

Essential Anatomy with Framestore @ Somerset House

 anatomy, courses
Nov 022018
 

Scott Eaton's Essential Anatomy Masterclass, with Framestore artistsIntro showing some of the studios I’ve taught over the years

I’ve just finished an intensive, one-day Essential Anatomy session with the talented artists from Framestore, London. Sixty artists and I convened in the Somerset House screening room for a day covering critical lessons from both human and comparative anatomy. I don’t often run anatomy courses this short (most are a minimum of two days), so it was a challenge to distill the essential lessons from many years of teaching anatomy into a format the could deliver the maximum amount of useful information in a single day course.

In class ecorche studies - Scott Eaton's Essential Anatomyin-course anatomy studies over old master drawings
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Anatomy reconstruction study – Homo naledi

 anatomy, portrait sculpting, zbrush
May 242018
 

Homo naledi reconstruction, v2

A producer friend recently asked if I had time to put together a quick sculpt for a pitch he was giving to a potential client. The request was for a concept of what the extinct homonid species Homo naledi would have looked like in life. I happened to have a relatively free day and was excited to do some digital sculpting so I said I would give it a try.

First, who or what were Homo naledi? It turn out they are fairly recent relatives of modern humans (ca. 250,000 year ago) – discovered in 2013, to great acclaim, by a pair of cavers fumbling around in a South African cave system. The species appears to be a interesting mix of human and primate characteristics – hands and feet very near our own but with shoulders and pelvises closer to our primate ancestors. We know they were short of stature, possibly standing barely five feet tall, and had small skulls exhibiting primitive features including reduced cranial capacity (half of a modern human), robust orbital tori, reduced/absent chin, but with small teeth and gentle canines.

Taking these few data points and a handful of images of the incomplete skulls of homo Naledi, I put together a couple versions. The first, below, pushes the facial characteristics more towards primate, but with the spark of intelligence one would expect of the genus Homo. The second, and my preferred version (above), leans toward a more human interpretation of facial characteristics. It includes a quick torso study for context and posture, as well as what I imagine to be a mass of matted, dirty hair. A timelapse of the sculpting process coming soon.

Homo Naledi portrait study, v1

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