A morning anatomy study from Bodies in Motion. Ballet seems to forge the most amazing physiques.
A figure study of a sequence from my Bodies in Motion project. For a behind the scenes look at the making of this piece, including a bit of anatomy, a sculpting demo and a complete timelapse video showing the tools and techniques I use, please check out my presentation from the Pixologic ZSummit (the makers of ZBrush, my primary digital sculpting tool): https://youtu.be/Ale6SXXbJMM
A few sketches from the Bodies in Motion Project. Fun to sit down and draw from some great reference.
The Coming Soon page for the Bodies in Motion Project is now live! The first 100 artists to register their interest will receive ONE MONTH’S FREE ACCESS to the material:
www.bodiesinmotion.photo
If you are an artist looking for high quality figure reference and a community to develop your skills with, visit now!
Here are a couple images of my first sculpture study from the Bodies in Motion library. The BiM “Coming Soon” page is now up here: www.bodiesinmotion.photo
I’ve heard there is one month’s FREE ACCESS for the first 100 artists to register their interest at the link above, so get on it! I am excited to see what people make with the material when the site goes live!
I will be showing the new Bodies in Motion site for the first time in public at London’s Industry Workshops event on the 10-13th of September (soon!). There is going to be incredible art talent presenting at the workshop, so if this kind of thing interests you, sign up! I am presenting Saturday afternoon, hope to see you there.
I am excited to show the first images from a recent collaboration with fellow artist Jason deCaires Taylor. I designed and sculpted the four Shire horses with oil-pump heads for Jason’s installation The Rising Tide currently installed on the Southbank of the Thames, right outside the MI6 building (for all you James Bond and secretive intelligence agency fans out there).
The piece is a powerful commentary on man’s relationship with the environment. Throughout the day the sculptures are submerged and revealed as the tide cycle waxes and wanes. As a long-time scuba diver I am delighted by Jason’s epic underwater works, so it was a pleasure collaborating with him on this piece.
My work on the piece involved the design and digital sculpting of the 18-hand tall Shire horses. Interestingly, over the past few years I have sculpted quite a few horses. First my centaur, then work on Mark Wallinger’s White Horse (also installed in London), followed by the horses for Steven Spielberg’s War Horse, and now these petrochemical Shires.
Sculpture in Valve’s Reception
I am on a short visit to the West Coast and had an afternoon in Seattle to drop into Valve to show the latest developments on my Bodies in Motion project. It was great to get the website and images out in public for the first time. Over a few hours we had a random walk through the Bodies in Motion content and framed a spontaneous anatomy lecture around some of the amazing figures in the library (Mischief canvas below).
It was a brief but productive visit, they got a short anatomy refresher and I got to pick the brains of a very talented group of artists for useful feedback on the project. If you are interested in more on the Bodies in Motion project as it heads into beta testing, please sign up to the newsletter for announcements!
I’ve just finished six days of anatomy masterclasses for Industrial Light and Magic, London (yes, the Star Wars guys). This isn’t the first time I’ve been to ILM, in the past I’ve run workshops for both their San Francisco and Singapore offices, but this is the first time it was just a tube journey away (not a nine-hour flight). It is great having Industrial Light & Magic in London!
















