I recently completed a tutorial for 3dArtist magazine about the making of this facial anatomy ecorche. In the article I go through the steps used to create the digital sculpture in ZBrush and about the importance of understanding facial anatomy and why it helps improve portraiture. The tutorial is in issue 81 of the magazine.
We are just back from a busy weekend at London Design Festival. We showed our newest design, the Moai ipad docking station, for the first time and the response was amazing. You will see a ‘special edition’ Moai coming soon to EATON.london. Thanks to everyone who stopped by to say hi and see you again next year!
We are proud to introduce our latest design – the Moai iPad docking station. Inspired by the serene, eternal vigilance of the monolithic icons of Easter Island, we’ve upgraded and remixed them for a tongue-in-cheek poke at the persistent distraction of modern digital life.
My life-sized bronze sculpture of Amy Winehouse has just been unveiled on what would have been her 31st birthday. The memorial is located in the Stables Market in Camden, London – Amy’s home for many years.
The piece was commissioned by Mitch Winehouse and I hope is a fitting tribute from a father to his daughter. I have immense respect for Amy as an artist and wish she was still making music.
Our Megafaces Pavilion for the Sochi Olympics won the 2014 Cannes Lion Grand Prix for Innovation. Created by architecture studio Asif Kahn Ltd, engineered by iArt and with art direction and graphics tech by yours truly, the project was a monumental collaboration that tied together amazing creativity and a mountain of technology to create a compelling visual experience for visitors to the Olympic park.
Find the official Cannes submission video HERE.
Celebrating the Grand Prix in the green room
The White Horse is finally installed in London. This is the project of artist Mark Wallinger and was originally planned as a towering 50m tall horse (as tall as the Statue of Liberty) to be erected in the countryside of Kent and visible from the Eurostar. But around the big crash, arts budgets downsized and so did the scale of the horse. Now it is only a very average ‘life-sized’, but it is still striking in its crisp white finish and realism. About a year ago I worked with the team from Sample & Hold to refine the digital version of the horse, based on a scan of Mark’s actual horse. I spent time adding anatomical accuracy and life to the head, face, legs, and hooves (at the time my horse skills were primed, having just finished Spielberg’s War Horse).
After a bit of massaging the data was sent off for fabrication. Through a combination of 3d printing, CNC machining, and casting, the piece was brought to life – albeit at a scale smaller than originally intended. But if you are in London and want to check it out, it will be on display on the Mall (just off Trafalgar Square) for two years.
We are excited to have our Hercules XIII tablet stand and the lovely Venus of Cupertino iPad docking station as raffle prizes at the National Portrait Gallery Gala. As two of only 40 raffle prizes, they are in exclusive company along with a Philip Treacy hat, a Gucci handbag, and other amazing prizes.
All proceed support the National Portrait Gallery and its acquisition fund for acquiring exceptional works of historic significance.
Every so often I get the chance to work on fun, creative visual effects projects. I was approached by Realise Studio in London to help them with a character design for a commercial – an Ogre. The script had potential – a father has been transformed into an ogre by the pressure of his day-to-day life, a much-needed family holiday transforms him back to himself. Short and sweet. The proposed methodology combined prosthetics with selected digital-face replacement, as good strategy to reduce the amount of work in post-production (as opposed to creating a fully computer-generated face for the entire commercial as in the Audrey Hepburn piece).
Our Hercules XIII tablet stand was named one of the top 10 pieces at London Design Festival 2013 by the Times. This is quite an honour considering that there are thousands of designers exhibiting at the festival in locations all over London. It seems Hercules’ baroque design sense is an appreciated counterbalance to the simple minimalism emerging in things like Apple’s iOS7.
Find more on Hercules at EATON.london
I recently contributed to this ambitious visual effects project. If you haven’t yet seen the Galaxy chocolate ad with the reincarnated Audrey Hepburn it is worth checking out here. The piece is bound to stir up controversy – bringing a beloved actress back from the dead to flog chocolate bars may not be everyone’s idea of good taste. However, the technical achievement is clearly impressive and full credit should be given to the visual effects team at Framestore for pulling it off with very tight deadlines!
Zombies are everywhere this year – WWZ, Plants Versus Zombies (2), the Walking Dead, the Last of Us, and on and on. They are taking over the world and I am partly responsible for this zombie apocalypse as I developed some of the early concept art for World War Z.
Here are a couple of the zombie “studies” I did for the film. Perhaps not to everyone’s taste, but as someone commented on my Facebook page, there is touch of Giacometti in them. Yes, I try to bring art to zombies.
click for larger