Timed studies from Bodies in Motion. One minute poses using the site’s timer, great for forcing me to capture the gesture of the poses quickly (toned afterwards). Site is launching in a couple weeks so join the mailing list if you haven’t already…
Anatomy study from Bodies in Motion. There are a few interesting things going on here:
I am really enjoying drawing/studying from the material in the Bodies in Motion library (and looking forward to seeing what other artists do with it). This drawing is of an aerial performer, Stephen. He has quite a few sets in the Bodies in Motion library, and honestly, he possesses the perfect body for studying heroic human anatomy. There are countless lessons that can be learned from studying even a few of his images.
Portrait sketches of a freerunner backflipping at Bodies in Motion. Many challenging angles to draw from.
Not long ago, I had twelve artists from Natural Motion (of Morpheme and Clumsy Ninja fame) into Somerset House, my home away from home, for a four day anatomy workshop. At the end of each day we would take about 20 minutes to draw from the Bodies in Motion library.
We made extensive use of the timer for gesture drawing. It can be set to 10fps, 1fps, 30sec, 1min, 2min, or 5mins, and ticks down to zero before flipping to the next frame of the motion sequence. We had it set at 30 seconds per image and we were all drawing frantically trying to keep up. Anyone who goes to life drawing regularly knows this is challenging, but it’s great practice to help capture the essence of a pose – balance, gesture, rough volumes – quickly, without being drawn into the details. Here’s a timelapse of my scribbles (Procreate on Ipad Pro):
timelapse of a sequence of 30 second poses
Here’s a quick value study from Bodies in Motion. I’ve been testing the site getting it ready for launch and sketched this out on the iPad Pro while browsing sequences in the library. Overall things are looking good and we are ironing out bugs for launch (though I have quite a bit of content still to upload)!
I don’t normally follow British politics, but as a concerned world citizen when politicians start f*cking it up for everyone it’s time to sharpen the proverbial sword. This jellybean face is Michael Gove, one of the four Horsemen of the #Brexit Apocalypse (along with Boris Johnson, Nigel Farage, and the instigator, David Cameron). These four will go down in history as the architects of one of the most poorly thought out political gambits of all time. The world shudders.
So I found myself with a couple longish train trips this week. I love time on the train, it’s great for drawing/sketching/thinking.
Day 1: I got a seat on the train with a table. Perfect. I had every intention of drawing in my sketchbook and/or reading a book by Henry Moore (a smallish book but packed with inspiration and wisdom from a master sculptor). But instead… I checked my phone, hit some irresistible clickbait, and shortly found myself falling down a rabbit hole endlessly searching for pictures of fat Axl Rose.
A few sketches from the Bodies in Motion Project. Fun to sit down and draw from some great reference.
Here is an écorché study of a drawing from the spectacular and controversial Viennese artist Egon Schiele. Schiele, long one of my favorites, is known for his hugely expressive figurative work – dynamic, contorted, deformed figures. Despite the effortless fluidity of his lines, the anatomy teacher in me can’t help but appreciate the underlying structure and coherence of his figure. My écorché study imposes plausible anatomical construction atop his piece and reveals that, despite his apparent looseness of his style, there is a deep understanding of anatomy at work. I can see this in all his drawings and paintings; every distorted, stylized figure actually fits together like an well-designed anatomical puzzle.